In Corner Stone at Chora Castle, Tzannes zooms in on a segment of weathered stone, capturing both the weight and texture of the ancient wall with remarkable precision. The stones, painted in soft, earthy tones, display cracks, erosion, and subtle variations that speak to centuries of exposure to the elements. The precise play of light and shadow across the surface adds a sculptural quality, making the stones appear tactile and dimensional, as if the viewer could reach out and feel their rough surfaces.
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In Corner Stone at Chora Castle, Tzannes zooms in on a segment of weathered stone, capturing both the weight and texture of the ancient wall with remarkable precision. The stones, painted in soft, earthy tones, display cracks, erosion, and subtle variations that speak to centuries of exposure to the elements. The precise play of light and shadow across the surface adds a sculptural quality, making the stones appear tactile and dimensional, as if the viewer could reach out and feel their rough surfaces.
Unlike the broader compositions seen in Olive Grove or Window, this close-up perspective creates an intimate encounter with history. Each stone seems to carry its own story, bearing the marks of time and human touch. The choice to focus on the corner of Chora Castle, with its geometric arrangement and visible imperfections, evokes the legacy of Kythera’s medieval past while transforming the structure into a near-abstract exploration of form and texture.
The composition calls to mind the approach of artists like Ben Nicholson, who often found abstraction within the details of architecture and structure. Yet, Tzannes maintains a grounded realism, allowing each stone to retain its individuality within the larger historical narrative. Corner Stone at Chora Castle becomes a meditation on endurance, inviting viewers to consider the layers of time, purpose, and memory embedded within these stones, resonating with both history and timelessness.