Watercolor, Acrylic and Pastel on Archival Paper
15 x 22 in
38 x 56 cm
US $ 1,200
In Geometry of Regression, the watercolor and pastel blend seamlessly to create a fluid, dynamic composition where soft yellows, greens, and blues dominate. The painting feels alive with organic, flowing shapes that suggest both movement and the interplay of light and form. The sweeping brushstrokes, accentuated by pastel lines, evoke natural rhythms, while the title hints at a deeper conceptual exploration of geometry and organic forms. The use of transparent washes in contrast with the more defined lines creates a tension between control and spontaneity, offering the viewer both structure and freedom.
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In Geometry of Regression, the watercolor and pastel blend seamlessly to create a fluid, dynamic composition where soft yellows, greens, and blues dominate. The painting feels alive with organic, flowing shapes that suggest both movement and the interplay of light and form. The sweeping brushstrokes, accentuated by pastel lines, evoke natural rhythms, while the title hints at a deeper conceptual exploration of geometry and organic forms. The use of transparent washes in contrast with the more defined lines creates a tension between control and spontaneity, offering the viewer both structure and freedom.
This tension between natural forms and underlying geometry recalls the works of abstract artists like Arthur Dove, who similarly explored the intersection of the natural world and abstraction. Compared to Petrov’s Carnival Time, which bursts with energetic motion, Geometry of Regression feels more meditative, as if the composition is gently unfolding rather than exploding with energy. The watercolor’s fluidity and pastel’s textured accents create a sense of depth, making the viewer ponder the balance between the organic and the geometric, suggesting an exploration of both natural rhythms and abstract ideas.