Oil and Acrylic with Natural Pigments on Canvas
72 x 60 in
183 x 152 cm
US $ 9,800
The Revolution Will Not Be Televised captures a powerful exchange between two abstracted, figurative forms set against a layered, textured background of muted grays and purples. The figures, outlined with stark white lines, appear locked in an intense, almost confrontational gaze, creating a sense of urgency and quiet tension. The dominant hues of black, lavender, and green lend the piece a contemporary, stylized look, while the simplified forms of the figures evoke themes of resistance, intimacy, and introspection. The title, referencing Gil Scott-Heron’s iconic phrase, suggests a revolutionary exchange that is deeply personal, grounded in silent understanding rather than grand gestures.
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The Revolution Will Not Be Televised captures a powerful exchange between two abstracted, figurative forms set against a layered, textured background of muted grays and purples. The figures, outlined with stark white lines, appear locked in an intense, almost confrontational gaze, creating a sense of urgency and quiet tension. The dominant hues of black, lavender, and green lend the piece a contemporary, stylized look, while the simplified forms of the figures evoke themes of resistance, intimacy, and introspection. The title, referencing Gil Scott-Heron’s iconic phrase, suggests a revolutionary exchange that is deeply personal, grounded in silent understanding rather than grand gestures.
This painting diverges from Jaru’s other works in its minimalistic composition and restrained color palette. Whereas pieces like Pecking Order and Hypothetical Constructs embrace complexity with dense overlapping shapes and vibrant colors, The Revolution Will Not Be Televised takes a more subdued, direct approach. This shift highlights Jaru’s eclecticism, showcasing his ability to work across a spectrum—from intricate, layered compositions to pared-down, almost meditative scenes—while still maintaining a strong emotional and conceptual drive.
Through these variations, Jaru demonstrates a versatility rooted in his exploration of human experience, identity, and connection. Despite the visual contrasts among his works, a consistent theme emerges: a desire to depict the unseen forces that shape relationships and individuality. In this way, The Revolution Will Not Be Televised stands as both a unique work and a testament to Jaru’s cohesive yet multifaceted artistic vision.