In this portrayal of Kaitlin, part of Pierre Sernet's Synonyms series, Sernet captures the essence of the human form with a single, continuous silhouette. The subtle curve of the figure conveys a sense of softness and grace, emphasizing the timeless beauty of the human body without specific identifiers or context. By presenting the body as an abstract shape, Sernet invites the viewer to see beyond the individual and focus on the shared, universal qualities of form and movement.

The figure’s outline, with its smooth, uninterrupted flow, evokes classical depictions of the human body, reminiscent of ancient sculpture and the simplified beauty seen in works by artists like Henri Matisse. Yet, Sernet’s use of stark contrast between black and white brings a modern, almost ethereal quality to the piece. It becomes not a portrait of a particular person but a representation of the human experience itself—familiar yet ambiguous, personal yet universal.

Through Synonyms - Kaitlin II, Sernet continues his exploration of identity within the Synonyms series, where he distills the human form to its essential elements. By reducing the figure to a mere silhouette, he encourages viewers to project their own perceptions, to see reflections of themselves in the contours. The simplicity of the form creates a mirror for contemplation, inviting us to consider the shared beauty and complexity of humanity, stripped of individual distinctions and resonant with collective identity.